A Chickpea Seller, a 1947 Mural and a Bond Film: How the Day of the Dead Reached Muertos Multiplier Megaways
Some time in the years before his death in 1913, the Mexico City printmaker José Guadalupe Posada etched a grinning female skeleton wearing a wide hat loaded with feathers. He called her La Calavera Garbancera. She was a joke at the expense of people who dressed up as Europeans and looked down on their own roots. More than a century later, a version of her face, painted white with flowers around the eyes, is one of the most recognised images on Day of the Dead themed slots, including Pragmatic Play's Muertos Multiplier Megaways. Very little of how she got there is what most people assume. A satire, not an ancient goddess The most common myth about the elegant skeleton now called La Catrina is that she is an Aztec deity carried forward intact. She is not. She is a twentieth century cartoon. Posada worked for the popular presses of Mexico City, producing cheap broadsheets with verses and images for ordinary readers. His calaveras, skeletons doing the things living people do, were...